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Skylar is a sophomore at Brown University. He likes theatre a lot. Also, he likes magic, juggling, balloon art, cooking, and balancing large objects on his chin (biggest yet is a hockey goal). In his free time, he enjoys speaking in the third person and eating cheesecake.


(I'm the bearded one. Not the Jonas brother.)

Directing at Brown:

The Aliens by Annie Baker, PW, February 2013

The Hotel Nepenthe by John Kuntz, PW, May 2012

Speed-the-Plow by David Mamet, PW Upspace, February 2012

The Musical So Obscure That You Probably Haven't Heard of It by Skylar Fox and Kristi Choi, Brownbrokers, November 2011

Acting at Brown:

“Nurse” in Romeo and Juliet by William Shakespeare, directed by Emma Johnson, PW, April 2013

“Peter” in Company by Stephen Sondheim and George Furth, directed by Rachel Borders, PW, October 2012

“Midas” in Five Incarnations of King Midas as he Attempts to Right his Wrongs by Thom Finley, directed by Emma Johnson, PW, October 2012

“Father Thane” in A Perfect Wedding by Charles Mee, directed by John Emigh, TAPS Mainstage, April 2012

“Carl” in Opus by Michael Hollinger, directed by Emma Johnson, PW Upspace, February 2012

“Lord Tuppy Lorton” in Lady Windermere's Fan by Oscar Wilde, directed by Lowry Marshall, TAPS Mainstage, November 2012

Design at Brown:

Set Designer for El Sueno created and directed by Jillian Jetton, PW, May 2013

Set Designer for The Aliens by Annie Baker, directed by Skylar Fox, PW TWITS, February 2012

Set Designer for Next to Normal by Tom Kitt and Brian Yorkey, directed by Zach Rufa, Musical Forum, December 2012

Set Designer for Don Pasquale by Gaetano Donizetti, directed by Michelle Migliori, BOP, April 2012

Assistant Light Designer for Spring Awakening by Duncan Sheik and Steven Sater, PW WITS, March 2012

Assistant Light Designer for Guests created by Ari Rodriguez, PW, March 2012

Set Design and Sound Designer for Opus by Michael Hollinger, directed by Emma Johnson, PW Upspace, February 2012

Set and Sound Designer for Speed-the-Plow by David Mamet, directed by Skylar Fox, PW Upspace, February 2012

Set Designer for Commodity Fetishism by Nathaniel Shapiro, directed by Zach Bleckner, Granoff Center, October 2012

Theatre Training at Brown:

TAPS 1160 Style and Performance (prof. Lowry Marshall)

TAPS 1540 Adv. Writing for Performance (prof. Marcus Gardley)

TAPS 0250 Intro to Technical Theatre (prof. Tim Hett)

TAPS 0230 Acting (prof. Lowry Marshall)

TAPS 1230 Performance Theory (prof. Rebecca Schneider)

TAPS 1240 Theatre Historiography (prof. Patricia Ybarra)

TAPS 1281A Director/Designer Collaborative Studio (prof. Kym Moore and Michael McGarty)

TAPS 1500J Script Adaptation (prof. Marcus Gardley)

Outside of Brown:

I am the founding artistic director of The Circuit Theatre Company, a Boston-based theatre company, founded in 2010.

There, I have directed Sarah Ruhl's Passion Play, Arcadia by Tom Stoppard, ENRON by Lucy Prebble, Lend Me a Tenor by Ken Ludwig, and the world premiere of Minuet by Seth Simons.

I have also acted with Circuit in The Pillowman by Martin McDonagh and Talk Radio by Eric Bogosian.

people/skylar_fox_15.txt · Last modified: 2013/12/21 02:00 (external edit)
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