production

workshop

est. 1960

propose to direct at pw!

Do you want to direct in PW's downstairs space? Yuuuuuuus you do. This page tells you the basics of what you need to know to do it.

Proposals for PW's Winter Season (february and march slots) will be due at the beginning of december.

Ezra is the person to contact this year if you're interested in proposing. But as always, please feel free to contact any board member if you have any questions or would like more information!

overview of the proposal process

The proposal process is designed so that the board can get to know your project and vision as best as possible. We encourage you to be specific, thorough, and to start early.

Proposals are accepted on a seasonal, rather than a per-slot, basis. All three slots for the Fall at PW season (september, october, december) are decided at the end of the previous spring semester. The Winter at PW season (February and March slots) is decided at the end of the previous Fall. And Spring at PW (April and commencement slots) are decided early in the Spring semester. Each season will have a season coordinator, who is a member of the PW board.

Contact the season coordinator as soon as you have any inkling that you might want to propose. The season coordinator will put you in contact with your own personal Proposal Buddy who will guide you through the proposal process. They will happily provide feedback on drafts of your proposal. It is also important to contact us early on so we can check rights availability for your project.

written proposal

Please copy the information on the application cover page that can be found here and put it at the beginning of your proposal.

Please remember to include: Title, author or creator, director, director’s phone number.

The written proposal is a chance for you to lay out your ideas for your project. Written proposals that are more than ten pages are usually unnecessarily long, so it’s a good idea to keep your proposals at ten pages or less. Below you'll see some questions that we suggest you consider answering in your proposal. We usually call these questions “guidelines,” not “requirements,” because in all honesty that’s what they are. You aren’t required to write anything specific– you could turn in an epic poem to us and we would read it. In the PW boards’ collective experience, however, we’ve found that most successful proposals are a) not usually epic poems, and b) all touch on similar topics that are pretty integral to writing a proposal. We are therefore laying them out here to give you a heads up on the kind of info we want from you about your project.

If you think there’s an interesting angle or aspect of your project these questions don’t lead you to talk about, branch out from the standard questions to include whatever it is you need to say…or just include that information in your pitch (more about the ~pitch~ below). Remember, you only have ten pages to say whatever it is you need to say! Bear in mind that this is a shorter page limit than written proposals have historically had. Also, feel free to answer these questions in whatever format you feel best suits/represents your project. Some people write one continuous essay, some people use headings to group their ideas together in their own categories, and some people answer each question exactly as we posed them. Choose whichever format feels right for your project, and definitely talk to your proposal buddy if you feel confused at all!

the guidelines

the nitty-gritty stuff

the pitch

The pitch is your chance to communicate your ideas to us in a format other than writing. After you submit your written proposal, you’ll have an opportunity to meet with the board face to face. You’ll have five minutes to say anything you want to us about the play. You can structure the time however you want: do a close reading of a scene for the whole time; bring a tech team in to have a panel conversation; or look straight into our souls and pitch your vision with an impassioned five minute speech. Pitch time should be your opportunity to be an advocate for yourself in the proposal process, so if you feel that there’s any place where your written proposal doesn’t fully address something the board seems concerned about, the pitch is a chance for you to have the floor for long enough to communicate and connect with us! Then, after your pitch, the board will take fifteen minutes to engage you in a conversation about your project. We’ll ask some questions based on the proposal and pitch, and hear what you have to say in response!!

The bottom line is that the pitch is not meant to be scary or intimidating– it’s meant to allow you to communicate clearly and directly with the board. Use the time as you think best, and always always always remember that your proposal buddy is your best resource if you feel confused or lost about how to approach any of this.

final notes / reproposing

If you are not selected, do not be discouraged! Many proposals take a few tries to get passed. If you would like help crafting a second draft, please contact any board member, and we can help you prepare further. We strongly encourage re-proposing. Also, remember that Production Workshop is not the only space for student projects on the Brown campus, nor is it the only place with financial resources for such artistic endeavors. Student theatre has been enjoyed everywhere from our own “Upstairs Space” to the French House courtyard; check out our other theatre page for other groups on campus, and check out our grants page for more information on funding.

want to start smaller?

Assistant directing is a great way to learn the ropes; talk to a board member about how to get involved with our current and upcoming productions. For that matter, working on one of our shows in any capacity will help you learn what it’s like to direct at PW, so get involved! You can also submit to the upspace lottery to put on a show that doesn't require the space and resources of the downspace. Finally, check out the upspace page the other projects listed on the propose page to learn about other ways you can get access to the theatrical spaces in T.F. green.

production.workshop@gmail.com
7 young orchard avenue, providence, ri 02912